Outside The Box 2, White Space Gallery, West Palm Beach, FLĪll Florida Ceramics Invitational, Nathan H. Southern Exposure: New Work Now, Palm Beach Cultural Council, Lake Worth, FL Lauderdale, FLĪcid Reflux, Fat Village Projects, Ft. Monstrous Strange, Fat Village Projects, Ft. Resident Exit Show, Armory Arts Center, West Palm Beach, FL Ottawa Makers Market, The RIdeau Curling Club, Ottawa, ON, Canada Rocks and Socks, College Avenue Gallery, Oakland, CA To Speak of Trees, Alter Space at Minnesota Street Projects, San Francisco, CAĪll College Honors, Hubbell Street Gallery, San Francisco, CA
Homo Mundus Minor, Gallery T293 , Rome, Italyģ0th Annual Barclay Simpson Master of Fine Arts Award Exhibition, Perry Family Event Center, San Francisco, CA Matt Kleberg and Woody De Othello, Johansson Projects, Oakland, CA Working TWO Scale: New Bay Area Ceramic Sculpture, Sonoma State University Art Gallery, Sonoma, CA Kinder Gentler Nation, Karma, New York, NY Kinship, Jessica Silverman Gallery, San Francisco, CAįront International Cleveland Triennial For Contemporary Art, Cleveland, OHįrom the Ground Up, Carrie Secrist Gallery, Chicago, IL
Horizon Lines, Jessica Silverman Gallery at 288 Pacific, San Francisco, CA Planned Obsolescence, SJSU Art Gallery, San Jose, CAģ3rd Ljublijana Biennial of Graphic Arts, Ljublijana, Sloveniaīlow Up, Friedman Benda Gallery, New York, NYīay Area Now 8, Yerba Buena Center for the Arts, San Francisco, CA Roommates, Shulamit Nazarian, Los Angeles, CA The Burdens of History, NCECA Conference, Richmond, VA Sleight of Hand, Center for Craft, Asheville, NC
Material Conditions, Matthew Brown Gallery, Los Angeles, CA We Are Here, Jessica Silverman, San Francisco, CAĬlose to Home: Creativity in Crisis, San Francisco Museum of Modern Art, San Francisco, CA (forthcoming) Whitney Biennial, Whitney Museum of American Art, New York, NY It’s Going To Be Okay, Unit 1, Lake Worth, FL Patty’s Mashed Potatoes, UFO Gallery, Berkeley, CA Real Life Still Life, Old New England, Berkeley, CA Lights Out Night Out, Quality, Oakland, CA Living Room, Jessica Silverman Gallery, San Francisco, CA Woody De Othello: Breathing Room, San Jose Museum of Art, San Jose, California The Box, Pippy Houldsworth Gallery, London, England Hope Omens, John Michael Kohler Arts Center, Sheboygan, WI Looking In, Jessica Silverman Gallery, San Francisco, CA He is represented by Jessica Silverman Gallery, SF and Karma Gallery, NY. In 2019-2020, Othello was the subject of a one-person exhibition at the San Jose Museum of Art, California. He was included in this years Whitney Biennial (2022), the 33rd Ljublijana Biennial of Graphic Arts in Ljublijana, Slovenia, and has recently exhibited with Karma, New York (2019) Jessica Silverman Gallery, San Francisco, California (2018) Quality, Oakland, California (2016) and UFO Gallery, Berkeley, California (2016). He received a BFA from Florida Atlantic University, Boca Raton and an MFA from the California College of Arts, San Francisco. In both his sculptures and works on paper, Othello imbues these static household objects with movement and emotion-they are often stretched or slumped over, seemingly overcome by gravity. Othello infuses his work with humor, whimsy, and touches of African “Nkisi,” a belief system in which spirits inhabit everyday objects. Print on front, back, pocket, hood and sleeves.ġ0 oz 80/20 cotton/polyester blend 3-end fleece with 100% cotton face.Woody De Othello constructs intentionally wonky, anthropomorphized sculptures of common artifacts of domestic life-tables, radiators, flower vases, lamps, television sets-in glazed ceramic, bronze, wood, and glass. Garments are hand-dyed and varies from hoody to hoody, making each one unique. We are delighted to translate his three-dimensional sculptures to this wearable screenprinted form. – Woody De Othello (“Gravity at Play: Woody De Othello” Mousse Magazine, January 16, 2020) We use phones to speak and to listen, clocks to tell time, vessels to hold things…We communicate and listen our bodies are indicators of time passing and we hold things both actually and metaphorically, whether it’s an emotion, a memory, or a feeling…I choose objects that are already very human in this regard.” “The objects mimic actions that humans perform they’re extensions of our own actions. This special collaboration is with Woody De Othello, a ceramic sculpture artist based in Oakland, California.
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